A creation myth

A creation myth  is a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term "myth" is often thought to refer to false or fanciful stories, creation myths are by definition stories which cultures take to be true to varying degrees.Creation myths develop in oral traditions and therefore typically have multiple versions;and they are the most common form of myth, found throughout human culture. In the society in which it is told, a creation myth is usually regarded as conveying profound truths, metaphorically, symbolically and sometimes even in a historical or literal sense.They are commonly, although not always, considered cosmogonical myths—that is they describe the ordering of the cosmos from a state of chaos or amorphousness.

Creation myths often share a number of features. They often are considered sacred accounts and can be found in nearly all known religious traditions. They are all stories with a plot and characters who are either deities, human-like figures, or animals, who often speak and transform easily. They are often set in a dim and nonspecific past, what historian of religion Mircea Eliade termed in illo tempore ("at that time"). Also, all creation myths speak to deeply meaningful questions held by the society that shares them, revealing of their central worldview and the framework for the self-identity of the culture and individual in a universal context.

 Definitions :

In Daoist creation myth, "The Way gave birth to unity, Unity gave birth to duality, Duality gave birth to trinity, Trinity gave birth to the myriad creatures. The myriad creatures bear yin on their back and embrace yang in their bosoms. They neutralize these vapors and thereby achieve harmony" (Daodejing, 4th century BCE

Defining the English collocation creation myth is semantically and culturally complex. Mircea Eliade defined "myth" in terms of "creation,"

Speaking for myself, the definition that seems least inadequate because most embracing is this: Myth narrates a sacred history; it relates an event that took place in primordial Time, the fabled time of the "beginnings." In other words, myth tells how, through the deeds of Supernatural Beings, a reality came into existence, be it the whole of reality, the Cosmos, or only a fragment of reality – an island, a species of plant, a particular kind of human behavior, an institution. Myth, then is always an account of a "creation"; it related how something was produced, began to be.

Compare the following creation myth definitions from modern reference works:

• symbolic narrative of the beginning of the world as understood in a particular tradition and community. Creation myths are of central importance for the valuation of the world, for the orientation of humans in the universe, and for the basic patterns of life and culture.
• Creation myths tell us how things began. All cultures have creation myths; they are our primary myths, the first stage in what might be called the psychic life of the species. As cultures, we identify ourselves through the collective dreams we call creation myths, or cosmogonies. … Creation myths explain in metaphorical terms our sense of who we are in the context of the world, and in so doing they reveal our real priorities, as well as our real prejudices. Our images of creation say a great deal about who we are.
• philosophical and theological elaboration of the primal myth of creation within a religious community. The term myth here refers to the imaginative expression in narrative form of what is experienced or apprehended as basic reality ... The term creation refers to the beginning of things, whether by the will and act of a transcendent being, by emanation from some ultimate source, or in any other way.

Classification

Mythologists have applied various schemes to classify creation myths found throughout human cultures. Eliade and his colleague Charles H. Long developed a classification based on some common motifs that reappear in stories the world over. The classification identifies five basic types:

Brahmā, the Hindu deva of creation, emerges from a lotus risen from the navel of Viṣņu, who lies with Lakshmi on the serpent Ananta Shesha

• Creation ex nihilo in which the creation is through the thought, word, dream or bodily secretions of a divine being
• Earth diver creation in which a diver, usually a bird or amphibian sent by a creator, plunges to the seabed through a primordial ocean to bring up sand or mud which develops into a terrestrial world
• Emergence myths in which progenitors pass through a series of worlds and metamorphoses until reaching the present world
• Creation by the dismemberment of a primordial being
• Creation by the splitting or ordering of a primordial unity such as the cracking of a cosmic egg or a bringing order from chaos

In Maya religion, the dwarf was an embodiment of the Maize God's helpers at creation

Marta Weigle further developed and refined this typology to highlight nine themes, adding elements such as deus faber, a creation crafted by a deity, creation from the work of two creators working together or against each other, creation from sacrifice and creation from division/conjugation, accretion/conjunction, or secretion.

An alternative system based on six recurring narrative themes was designed by Raymond Van Over:

• a primeval abyss, an infinite expanse of waters or space
• an originator deity which is awakened or an eternal entity within the abyss
• an originator deity poised above the abyss
• a cosmic egg or embryo
• an originator deity creating life through sound or word
• life generating from the corpse or dismembered parts of an originator deity

Meaning and function

All creation myths are in one sense etiological because they attempt to explain how the world was formed and where humanity came from.

Shaman's drum depicting Tungus cosmology, with the World Tree at center joining underworld, earth and heaven (based on a 1924 drawing from the original drum)

Ethnologists and anthropologists who study these myths point out that in the modern context theologians try to discern humanity's meaning from revealed truths and scientists investigate cosmology with the tools of empiricism and rationality, but creation myths define human reality in very different terms. In the past historians of religion and other students of myth thought of them as forms of primitive or early-stage science or religion and analyzed them in a literal or logical sense. However they are today seen as symbolic narratives which must be understood in terms of their own cultural context. Charles H. Long writes, "The beings referred to in the myth -- gods, animals, plants -- are forms of power grasped existentially. The myths should not be understood as attempts to work out a rational explanation of deity."

While creation myths are not literal explications they do serve to define an orientation of humanity in the world in terms of a birth story. They are the basis of a worldview that reaffirms and guides how people relate to both the spiritual and natural world as well as to each other. The creation myth acts as a cornerstone for distinguishing primary reality from relative reality, the origin and nature of being from non-being. In this sense they serve as a philosophy of life but one expressed and conveyed through symbol rather than systematic reason. And in this sense they go beyond etiological myths which mean to explain specific features in religious rites, natural phenomena or cultural life. Creation myths also help to orient human beings in the world, giving them a sense of their place in the world and the regard that they must have for humans and nature.

Types:

Ex nihilo

Creation on the exterior shutters of Hieronymus Bosch's triptych The Garden of Earthly Delights (1480–90)

Main article: Ex nihilo Theological usage

Creation ex nihilo (Latin "out of nothing"), also known as "creation de novo", is a common type of mythical creation. Ex nihilo creation is found in creation stories from ancient Egypt, the Rig Veda, the Bible and the Quran, and many animistic cultures in Africa, Asia, Oceania and North America.The Debate between sheep and grain is an example of an even earlier form of ex nihilo creation myth from ancient Sumer. ^.In most of these stories the world is brought into being by the speech, dream, breath, or pure thought of a creator but creation ex nihilo may also take place through a creator's bodily secretions. The literal translation of the phrase ex nihilo is "from nothing" but in many creation myths the line is blurred whether the creative act would be better classified as a creation ex nihilo or creation from chaos. With ex nihilo, the potential and the substance of creation springs from within the creator. Such a creator may or may not be existing in physical surroundings such as darkness or water, but does not create the world from them. In creation from chaos the substance used for creation is pre-existing within the unformed void.

Creation from chaos

Main article: Chaos (cosmogony)

In creation from chaos myth, initially there is nothing but a formless, shapeless expanse. In these stories the word "chaos" means "disorder", and this formless expanse, which is also sometimes called a void or an abyss, contains the material with which the created world will be made. Chaos may be described as having the consistency of vapor or water, dimensionless, and sometimes salty or muddy. These myths associate chaos with evil and oblivion, in contrast to "order" (cosmos) which is the good. The act of creation is the bringing of order from disorder, and in many of these cultures it is believed that at some point the forces preserving order and form will weaken and the world will once again be engulfed into the abyss.

World parent

In one Maori creation myth, the primal couple are Rangi and Papa, depicted holding each other in a tight embrace

There are two types of world parent myths, both describing a separation or splitting of a primeval entity, the world parent or parents. One form describes the primeval state as an eternal union of two parents, and the creation takes place when the two are pulled apart. The two parents are commonly identified as Sky (usually male) and Earth (usually female) who in the primeval state were so tightly bound to each other that no offspring could emerge. These myths often depict creation as the result of a sexual union, and serve as genealogical record of the deities born from it.
In the second form of world parent myth, creation itself springs from dismembered parts of the body of the primeval being. Often in these stories the limbs, hair, blood, bones or organs of the primeval being are somehow severed or sacrificed to transform into sky, earth, animal or plant life, and other worldly features. These myths tend to emphasize creative forces as animistic in nature rather than sexual, and depict the sacred as the elemental and integral component of the natural world.

Emergence

In emergence myths humanity emerges from another world into the one they currently inhabit. The previous world is often considered the womb of the earth mother, and the process of emergence is likened to the act of giving birth. The role of midwife is usually played by a female deity, like the spider woman of Native American mythology. Male characters rarely figure into these stories, and scholars often consider them in counterpoint to male oriented creation myths, like those of the ex nihilo variety.

 

 

In the kiva of both ancient and present-day Pueblo peoples, the sipapu is a small round hole in the floor that represents the portal through which the ancestors first emerged (the larger hole is a fire pit, here in a ruin from the Mesa Verde National Park)

Emergence myths commonly describe the creation of people and/or supernatural beings as a staged ascent or metamorphosis from nascent forms through a series of subterranean worlds to arrive at their current place and form. Often the passage from one world or stage to the next is impelled by inner forces, a process of germination or gestation from earlier, embryonic forms.The genre is most commonly found in Native American cultures where the myths frequently link the final emergence of people from a hole opening to the underworld to stories about their subsequent migrations and eventual settlement in their current homelands.

Earth-diver

The earth-diver is a common character in various traditional creation myths. In these stories a supreme being usually sends an animal into the primal waters to find bits of sand or mud with which to build habitable land. Some scholars interpret these myths psychologically while others interpret them cosmogonically. In both cases emphasis is placed on beginnings emanating from the depths
Earth-diver myths are common in Native American folklore but can be found among the Chukchi and Yukaghir, the Tatars and many Finno-Ugrian traditions. The pattern of distribution of these stories suggest they have a common origin in the eastern Asiatic coastal region, spreading as peoples migrated west into Siberia and east to the North American continent.
Characteristic of many Native American myths, earth-diver creation stories begin as beings and potential forms linger asleep or suspended in the primordial realm. The earth-diver is among the first of them to awaken and lay the necessary groundwork by building suitable lands where the coming creation will be able to live. In many cases, these stories will describe a series of failed attempts to make land before the solution is found